D.N.A|Tiling|Windows|String Theory |B & W |Ethos Vectors

Embedded in our chromosomes lies one of the foremost scientific discoveries ever in our quest to understand ourselves, and how we came about as specific beings. These paintings reinforce the commonality of the building blocks used to create all living creatures. Thus, there is no allusion to any particular organism in the choice of the forms presented in each painting, but rather, chains of genes.

click here to return to top
Click here to return to veiw the 'D.N.A' Series.

The 'tiles' of these paintings are thought of as bookmarks, color-coded keys which present facets of past remembrances. In a moment of reflection, the viewer might be animated to bond with personal images and experiences.

click here to return to top
Click here to return to view the 'tiling' Series

How focusing a window frame can be strokes lashed together in a foreground behind which images parade and dance. These paintings offer you facades for visual exploration.

click here to return to top
Click here to return to veiw the 'Windows' Series.

Yarn is used as an after the fact device to suggest that surfaces and spaces exist before they are defined. The lines are boundary settings, which are changeable in the next thought. Surface and space is ever ready: amorphous, waiting for definition, compliant, never complaining, and never offended.

click here to return to top
Click here to return to view the 'String Theory' Series.

A contrast between black/white images and colored ones is established. The intent is that black/white forces color into an uncustomary, subordinate role. The bias is against too easily splashed on color as adornment. Long lives the power of concentration, basic simplicity that is black/white.

click here to return to top
Click here to return to the 'Black & White' Series.

The amazing discovery of a secondary nervous system responsible for our emotions.

click here to return to top
Click here to return to the 'Ethos Vectors' Series.